Requiem – Karl Jenkins

What a great concert! I was so glad to be involved with this performance, last Saturday night. Students and staff from a number of Beijing Schools ¬†and the Beijing youth Orchestra, conducted by Shane O’Shane, collaborated in a really stunning performance of the beautiful Karl Jenkins Requiem. The piece is a mixture of traditional Latin mass text and beautiful Japanese Haiku. Also, to compliment the elegant words of the Japanese poetry, the score calls for solo shakuhachi (the haunting Japanese flute) to weave beautiful decorated melodic lines into the texture with the singing. I was fortunate to be given the chance to play the solo flute lines – on my silver flute rather than the traditional instrument. I did try playing the melodies on some more primitive bamboo/wood instruments, but not on shakuhachi, which really requires a master player to do it justice. I found that playing the intricate decorated melodies on anything other than my ‘usual’ modern flute was not going to produce a good enough result, particularly regarding intonation. Having a love of Japanese music, I have always enjoyed playing and listening to it, and I was pleased with my playing and tone, especially as much of the playing was in the difficult low register. In fact, the composer writes on the score ‘shakuhachi or flute’ so I believe the instrumentation was still authentic and pleasing.

Now, this performance was quite unusual and challenging for me personally, as I had two different roles in the ensemble. As well as playing the solo flute parts, I also sang bass in the chorus. I found myself swapping from a standing position in the front of the basses for the Latin parts of the Requiem – to sitting in the orchestra to play flute in the ‘Japanese’ movements. Apart from the challenges of physically moving between the two parts, I had to be very careful to mark each score with ‘FLUTE’ or ‘SING’ at the top of each movement and to quickly find the correct spot in time for the start of each movement. Also, what to wear? Black for the orchestra or white shirt for the choir? I opted for white, since I was standing in the chorus. It was very interesting moving from the lowest pitches to the highest and a great experience which I thoroughly enjoyed.

Singers from Dulwich College Beijing, Western Academy of Beijing, Beijing BISS International School (congratulations to Kanchana Jaishankar) were joined by a large group of very young choristers from the Korean School. These young singers were beautifully trained and sang their hearts out. All were dressed in little matching pink jackets and they made a wonderful contribution to the performance. Their boy soprano soloist sang beautifully in the stunning ‘Pie Jesu’ with its extremely difficult high phrases. In fact, congratulations must go to all the soloists as well as the chorus and orchestra. Also, to the producers of the amazing visual display of still images which was projected behind the performers and ‘choreographed’ to accompany the music and add meaning to the text. The concert was sold out and the audience left the auditorium uplifted and satisfied by a truly amazing musical experience.

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Gerard Dutton

International music teacher and performer. Have worked in Australia, Vietnam, Tonga, New Zealand, China and Myanmar. Studied in Australia and USA.

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